Museum Hours
Thu: 1 PM–8 PM
Fri–Mon: 10 AM–5 PM
Tue–Wed: Closed
200 Larkin Street
San Francisco, CA 94102

Tattoos in Japanese Prints

May 31, 2019 – Aug 18, 2019
The colorful dragon you saw writhing on the arm of your barista this morning. The bold lion surrounded by peonies inked on the torso of that guy at the gym. Maybe the snake circling your own ankle. Did you know tattoos like these can be traced back to a famous series of 19th-century Japanese woodblock prints, which was itself inspired by a popular 14th-century Chinese martial-arts novel?

Tattoos in Japanese Prints recounts how large-scale, densely composed pictorial tattoos — what we now recognize as a distinctly Japanese style — emerged in 19th-century Japan in tandem with woodblock prints depicting tattooed heroes of history and myth.

More than 60 superb prints by artist Utagawa Kuniyoshi (1797–1861) and his contemporaries from the noted collection of the Museum of Fine Arts, Boston, explore the interplay between ink on paper and ink on skin. Kuniyoshi’s influential print series One Hundred and Eight Heroes of the Popular Water Margin (1827–1830), illustrating hero-bandits from a 14th-century Chinese martial-arts novel, probably both inspired and reflected a real-life tattoo trend — art into life and life into art.

Many of the characters in Kuniyoshi’s Water Margin prints sport elaborate tattoos. Other artists, seeing the popularity of these works, made their own prints of tattooed Water Margin heroes and went on to depict historical figures and Kabuki actors with prominent inked embellishment. The iconography of the tattoos in these prints, also found on the bodies of real-life Japanese urban men, included lions, eagles, peonies, dragons, giant snakes and the fierce Buddhist deity Fudo Myoo. These motifs — still popular today — evoked bravery, valor and strength.

The vogue for tattoos in Japan lasted until the early Meiji period (1868–1912), when the Japanese government prohibited them as part of its effort to modernize the country. Woodblock prints are some of the best documentation we have of real-life tattoos of 19th-century Japan, and they continue to provide models for worldwide tattoo artists today.

Tales of Tattooed Heroes

Meet Du Xing, one of the many tattooed heroes on view in Tattoos in Japanese Prints. Here the village bailiff demonstrates his amazing strength by brandishing a huge metal bell over his head. His vibrant tattoo of a dragon and waterfall extends from his elbows to his knees.

This print is from the lively and imaginative series by Utagawa Kuniyoshi (1797–1861) based on “The Water Margin,” a 14th-century martial-arts novel from China. Kuniyoshi adorned 15 of the 108 “Water Margin” heroes with spectacular large-scale body suit tattoos, spurring a fashion for pictorial tattoos in late 1820s Japan.
Visit the exhibition to meet other tattooed warriors and heroes.

What People Are Saying

Tattoos in Japanese Prints “is not just a novelty exhibit that’s coincidentally on brand for the denizens of Bay Area, it is necessary.”
— The San Francisco Examiner

“Visitors, even those not compelled to run out to the nearest tattoo parlor, will appreciate the splendid artistry and style of an arcane craft preserved for posterity by dint of gifted printmakers.”
— The Bay Area Reporter

“As the popularity of tattoos has accelerated, we seem to have reached a tipping point where we want to explore and understand the origins and evolution of tattooing… ‘Tattoos in Japanese Prints’ is a great way to start that exploration.”
— Sunday Chronicle Datebook “Pink Pages”

“If you haven’t had enough of tattoos, or if your interests include masterworks of Japanese printmaking (and how could they not?), these 60 works…are well worth a visit.”
— San Francisco Chronicle Arts

From ink on paper to ink on skin, the epic designs of Edo-period artist Kuniyoshi sparked the hottest tattoo trends in 19th-century Japan: martial arts, demons and mythic motifs that remain popular today.

Images: Actor Nakamura Shikan IV as Washi no Chokichi, 1868, by Toyohara Kunichika (1835–1900). Woodblock print; ink and colors on paper. Museum of Fine Arts, Boston, William Sturgis Bigelow Collection, 11.41710a-c. Photograph © Museum of Fine Arts, Boston.

Organizers & Sponsors

Tattoos in Japanese Prints is organized by the Museum of Fine Arts, Boston. Presentation is made possible with the generous support of Lucy Sun and Warren Felson. Additional support is provided by the Ellen Bayard Weedon Foundation.